I get the message box which says: Do you want to revert to the ...... called bredo.
I'm clicking yes, but it won't.
When I try to change to the Cubase one, I can see the name change before the message bos appears. Not so when I try to import my own.
This has always worked fine???????
1. Import Session Data
2. An inch or so taller faders in the mixer (maybe as an option?)
3. The ability to update track/mixer groups (without deletig and making a new one).
When loop recording, all takes are essentially one long audio file.
The events in the different layers/takes just reference different parts of the same audio file.
hj-roser wrote:Read between the lines... In nearly no case I would record my own band in 88.2 or 96 K. But if a payer wants to record in 96 I want to be able to do it...
100% agree. I don't necessary need 96 K, but some paying customers may want it.
But most people see this things from a hobbyist perspective (as in not having paying clients).
Without the 96 K option the StudioLive mixers resides more to the Live side than the Studio side IMO.
We all have different needs and reasons for wanting different features and specs.
This is a delivery standard for audio related to broadcasting, not a mixing standard as many seems to think.
But the closer you are to the target, the less volume/loudness manipulation the broadcasters do to our mixes (when doing music production). The equipement will be installed on their side.
So if your mixes/music may end up on TV, radio, internet when ISP's adapt the standard and other streaming services follow, you can as well leave some headroom in your music.
That said, if a mix/master by todays standard are to be "loudness normalized" due to the new standard it will sound pretty limited and lifeless compared to mixes that have taken the advantage of the headroom allowed in the new set of rules.
No more chopped off transients in our mixes