You might get better results if you group the tracks. The bend markers from both tracks are then combined and quantized together.
(This also avoids phase problems with the in a multi-microphone recording, because all tracks are manipulated in the same way).
However, I see that the quantize function needs to be improved for such an off-beat scenario, it currently prefers the bar start positions too much...
Yes, it's a bug. The problem is is that for quantizing audio, a fixed range of 60% is used.
That's why markers that are too far away from the grid lines are not "catched".
It should actually use the range parameter from the quantize panel (default 100%, which would quantize all markers).
In the editor, click with CMD key on the note in the keyboard view to select notes in the active (white) part.
Or ALT+CMD-Click for all parts on the track.
There is definitely something wrong when using audio bend on files with a different sample rate than the song sample rate.
Can anyone having these issues confirm that this is the case?
When you use the Range Tool to select a range on the track, and then move that range by dragging with the mouse,
all automation lanes will be moved. Is that what you need?
Studio One has the "Move to Origin" command in the "Edit" menu.
It moves the selected events to the time when was recorded, if that has been written into the Broadcast chunk of the wave file.
Kahlbert wrote:Don't forget, via the browser you have complete access to any part of any song - be it "Music" (MIDI) performances or FX on any channel.
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